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Footwear as Footnotes of India's History and Present: A Journey from Tradition to Modern Fashion

Published On Fri, 07 Aug 2026
Naina Chatterjee
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Footwear in India has always been more than a basic necessity. From ancient wooden sandals to handcrafted juttis, mojaris and Kolhapuri chappals, shoes and sandals have quietly recorded the country’s cultural evolution, social changes and artistic traditions. Often overlooked in discussions about heritage, footwear offers a unique glimpse into India’s history through the materials, designs and craftsmanship passed down across generations.

For centuries, Indian footwear has reflected the lifestyle and identity of different communities. The country’s diverse geography and climate played an important role in shaping footwear styles. While some regions developed lightweight sandals suitable for hot weather, others created durable designs meant for agriculture, travel and daily labour. Over time, these practical creations evolved into cultural symbols.

One of the oldest examples of Indian footwear is the paduka, a simple wooden sandal associated with ancient spiritual traditions. Worn by sages and religious figures, the paduka represented simplicity and detachment from material comforts. Its presence in Indian literature, art and religious traditions highlights the importance footwear has held beyond everyday use.

As kingdoms flourished, footwear became a part of royal fashion and craftsmanship. Traditional designs such as mojaris and juttis gained popularity among royal families and aristocratic communities. Skilled artisans decorated these shoes with embroidery, colourful threads and detailed patterns, transforming them into pieces of wearable art. These styles later became closely associated with weddings, festivals and cultural celebrations.

The story of Indian footwear is also a story of regional diversity. The Kolhapuri chappal, known for its handmade leather work and durability, emerged from the Maharashtra-Karnataka region and became popular among rural communities because of its comfort and practicality. Over the years, it moved beyond its traditional roots and found a place in contemporary fashion, with designers incorporating its classic style into modern collections.

Handcrafted juttis from Punjab and Rajasthan continue to represent India’s artistic heritage. Their bright colours, intricate embroidery and traditional designs have made them popular not only within India but also among international audiences interested in ethnic fashion. Beyond fashion, footwear has also reflected India’s social and economic history. The making of traditional footwear created livelihoods for artisan communities that developed specialised skills over generations. From selecting materials to stitching and decorating each pair, the process represents years of knowledge and craftsmanship.

The survival of these traditions faces challenges in the modern era. Machine-made footwear, changing consumer preferences and limited opportunities for artisans have created pressure on traditional crafts. Many craftsmen are now adapting by combining traditional techniques with modern designs to reach wider markets. The renewed interest in sustainable fashion has also brought attention back to handmade Indian footwear. Consumers are increasingly looking for products that have cultural value, support local craftsmanship and offer an alternative to mass-produced goods.

Today, Indian footwear stands at the intersection of history and innovation. Traditional designs are appearing on fashion runways, online marketplaces and global platforms, proving that heritage crafts can continue to evolve without losing their identity. Every pair of traditional Indian shoes carries a story — of artisans, communities, regions and generations that shaped its journey. While footwear may seem like a small part of everyday life, in India it has become a living record of the nation’s cultural past and its changing present. From ancient pathways to modern streets, these footsteps continue to tell the story of India.

Disclaimer: This image is taken from Hindustan Times.